Description
images, from me & repost

Nick Ballon - La Chira Landfill - Lima, Peru
The Origin of Mass from Aleksandar Rodic on Vimeo.
This experimental video was created as a final project for my procedural animation course at Savannah College of Art and Design. scad.edu It was inspired by demoscene and sub-atomic particle collision images. The name comes from the Higgs Boson prticle which is expected to provide a scientific foundation for the origin of mass in the universe.
My special thanks goes to professor Ronald Bernard and Puryx aka Christian Rønde who let me use his music for the soundtrack originally created for a demo called Nucleophile bit.ly/aErBrg
You should visit prof. Bernard’s website if you want to see some amazing student work:
profwiz.com/You can download the soundtrack here:
puryx.dk/music/Puryx_-_Nuc…
last.fm/music/PuryxMore information about the origin of mass:
en.wikipedia.org/wiki/Higgs_bosonMy personal portfolio:
aleksandarrodic.com
Frosti from zenbullets on Vimeo.
Deconstructing the sphere. This is generative, but perfectly deterministic, so I created it to form a perpetual 1m15s loop. Music is by Björk, from Vespertine (2001)
björk biophilia app intro narrated by david attenborough from Björk on Vimeo.
words: sjón & björk
narration: david attenborough
design: m/mdownload the app from itunes.com/apps/biophilia
Bjork - Mutual Core from DanielleNoir on Vimeo.
Bjӧrk - “Mutual Core” Official Music Video
Directed by Andrew Thomas Huang
andrewthomashuang.comReykjavik Unit:
Producer: Árni Björn Helgason
Director of Photography: August Jakobsson
Production Designer: Gus Olafsson
Hair & Makeup Artist: Frida Maria HardardottirLos Angeles Unit:
Director of Photography: Laura Merians
Production Designer: Hugh ZeiglerVFX Executive Producer: David Lyons
Lead CG Supervisor: Michael Ranger
Lead Compositor: Lindsey Fry
FX Technical Director: Nico SuglerisDirector’s Rep: LARK Creative
Emily Nelligan - charcoal on paper, 1989-2003
Connected Heartbeats from Phan V on Vimeo.
Connected Heartbeats is a light-based art installation that translates the sounds of two hearts into a moving visual pattern. A microphone embedded in a stethoscope picks up the sound of your heart and translates it into a moving visual pattern. A second stethoscope allows an additional person to join in, creating a mesmerizing sequence of moving patterns based on each individual’s heart rate. Studies have shown that people’s heartbeats when in a group of friends or relatives often sync up or harmonize during emotional events. Connected Heartbeats is an experience that binds people together through the visuals created by and for them.
Special Thanks to Max Ma for helping with Video Documentation.

Holy Motors from Jacques Perconte on Vimeo.
J’ai le plaisir d’avoir participé au dernier film de Léos Carax Holy Motors dont les premières critiques cannoises sont ditirambiques. Le film sera en salles le 4 juillet. C’est dans la Séquence 27 que l’image vire, que le paysage se liquéfie et que l’abstraction plastique fait signe. La matière numérique se manifeste…
On dit que je fais du datamoshing – technique de manipulation de l’image – et c’est comme cela que je suis crédité au générique. Mais mon travail dépasse cette pratique et même si elle s’y apparente j’ai essayé de lui trouver un nom qui lui conviendrait mieux. Pour l’instant je n’en ai pas vraiment : j’ai appelé cela composites déglacés par réitérations colorées de compressions dansantes de données mais c’est bien trop compliqué…
blog.technart.fr/2012/05/holy-motors/
blog.technart.fr/2010/11/composites-deglaces-par-reiterations-colorees-de-compressions-dansantes-de-donnees/
Flexure from Quayola on Vimeo.
a project by Quayola & Sinigaglia
{2013}
Audiovisual Installation - Custom Software for Realtime Graphics
4k video on 2 LCD displays | 2ch Sound
Dimensions VariableCommissioned by Nike
Animator: Paul Mumford
Sound: Michael Hodgson—

Flóra Borsi, real life models serie
http://www.behance.net/gallery/The-real-life-models/8519303

Yoko Ono Light House
“The light house is a phantom house that is built by sheer light. You set up prisms at a certain time of day, under a certain evening light that goes through the prisms; the light house appears in the middle of the field like an image. With this image, you can actually go inside, if you want to. The light house may not emerge every day, just as the sun doesn’t shine every day.”
Theresa Whang (tumblr) - From her 50 Drawings series (2013)